'There is no way you can view the movie from a distance, from a moral high ground, and get to its core.' 'To truly appreciate what Anurag Kashyap is trying to do here, you may have to lose a part of yourself to it, first,' says Sreehari Nair.
Jaane Bhi Do Yaaro is one of the best and most uncompromised films of Indian cinema, says Sukanya Verma.
Hasee Toh Phasee takes a familiar premise -- two people on the brink of tying the knot and introduces a third party to cause expected stir. Only it doesn't happen like it used to, writes Sukanya Verma.
Amitabh Bachchan talks about Te3n, Aaradhya and actors he would love to work with!
These predictions will ensure you have the perfect romantic day.
It is always wonderful to discover a gem of film at an international film festival. It is even more exciting when that film is from India.
Aseem Chhabra gives us the top films that enriched his year.
Arthur J Pais interviews John Madden, director of the Marigold Hotel films, on the difficult task of creating an equally hilarious and as feeling a sequel.
How many of these have aged well?
'If the State does want to come after you, in India, it can do pretty much anything. And often it isn't as though the orders are coming from the President or prime minister, no, the systems have been built in a way -- or we have allowed them to be built in a way -- that almost encourages crushing of liberties.'
The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
© 2026 Rediff.com - Advertise with us - Disclaimer - Privacy Policy - Sitemap - Feedback - About us - Terms of use - Grievances